Our recent visit to Seedlings reminded me of Joseph Cornell and his use of found materials and things otherwise thought of as junk. While not exactly the same as the altered books we are working on, the use of collage, memories, and found materials is inspiring.
Joseph Cornell was born in 1903 and lived until 1972. Most of his work was created in the 1940′s and 1950′s. To me at least, his work still looks contemporary today.
Via Wikipedia:
Cornell could create poetry from the commonplace. Unlike Schwitters, however, he was fascinated not by refuse, garbage, and the discarded, but by fragments of once beautiful and precious objects he found on his frequent trips to the bookshops and thrift stores of New York. His boxes relied on the Surrealist technique of irrational juxtaposition, and on the evocation of nostalgia, for their appeal.
In addition to creating boxes and flat collages and making short art films, Cornell also kept a filing system of over 160 visual-documentary “dossiers” on themes that interested him; the dossiers served as repositories from which Cornell drew material and inspiration for boxes like his “penny arcade” portrait of Lauren Bacall. He had no formal training in art, although he was extremely well read and was conversant with the New York art scene from the 1940s through to the 1960s.
